the quiller memorandum ending explained

Commenting on Quiller in 1966, The New York Timessomewhat unfairlywrote off Segals performance as an unmitigated bust: If youve got any spying to do in Berlin, dont send George Segal to do the job. The reviewer then refers to Quiller as a pudding-headed fellow (a descriptive phrase that sounds more 1866 than 1966). Quiller leaves, startling the headmistress on the way out. Your email address will not be published. It is credible. I enjoyed this novel just as much (if not more) as the previous books that I have read, and I will certainly be purchasing any further Quiller novels that I come across in my exploration of second-hand bookshops. [7][8], Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=The_Quiller_Memorandum&oldid=1135714025, "Wednesday's Child" main theme (instrumental), "Wednesday's Child" vocal version (lyrics: Mack David / vocals: Matt Monro), "Have You Heard of a Man Called Jones?" Pol tells Quiller that Kenneth Lindsay Jones, a fellow agent and friend of Quiller's, was killed two days earlier by a neo-Nazi cell operating out of Berlin. Quiller's assignment is to take over where Jones left off. Thought I'd try again and found this one a bit dated and dry - I will persevere with the series, Adam Hall (one of Elleston Trevor' many pseudonyms) wrote many classic spy stories, and this one is considered one of his best. Pol tells Quiller the fascist underground is far more organized and powerful in Germany than people believe. Oh, there are some problems, and Michael Anderson's direction is. The book is built around a continual number of reveals. I am not saying he was bad in the filmor at least that bad. Elleston Trevor wrote 19 novels in the highly successful Quiller series. The Quiller Memorandum is based on Adam Hall's thriller novel about neo-Nazism in contemporary Germany. Quiller meets his controller for this mission, Pol, at Berlin's Olympia Stadium, and learns that he must find the headquarters of Phoenix, a neo-Nazi organization. After being prevented from using a phone, Quiller makes a run for an elevated train, and thinking he has managed to shake off Oktober's men, exits the other side of the elevated station only to run into them again. Clumsy thriller. The mind of the spy Quiller drives off, managing to shake Hengel, then notices men in another car following him. The latter reveals a local teacher has been unmasked as a Nazi. Phoenix boss Oktober (Max von Sydow) with George Segal, seated. George Segal was good at digging for information without gadgets. The films featured secret agent is the very un-British Quiller (George Segal), a slightly depressive American operative on loan to Britains secret services (take that, Bond!). At a key breakfast meeting, Pol uses two blueberry muffins to outline the particularly precarious cat-and-mouse game Quiller must play while in the gap between his own side and the fascist gang. Segals laconic, stoop-shouldered Quiller is a Yank agent on loan to the British government to replace the latest cashiered Anglo operative in West Berlin. Languid, some might say ponderous mid-60's British-made cold-war drama (it could scarcely be called a thriller, more "The Spy Who Came In From The Cold" than, say "Thunderball") that for all its longueurs, does have some redeeming features. One of the first grown-up movies I was allowed to go see by myself as an impressionable adolescent (yes, this was some years ago now) was the Quiller Memorandum, with George Segal. Following the few leads his predecessor Jones had accumulated, Quiller finds himself nosing around for clues in the sort of unglamorous places in which Bond would never deign to set footbowling alleys and public swimming pools, especially. Finally, paint the result in Barbie pink and baby blue That's more or less what happened to Adam Hall's spy novel for this movie. In the process, he discovers a complex and malevolent plot, more dangerous to the world than any crime committed during the war. Sort of a mixed effect clouds this novel. THE QUILLER MEMORANDUM (3 outta 5 stars) The 1960s saw a plethora of two kinds of spy movies: the outrageous semi-serious James Bond ripoffs (like the Flint and Matt Helm movies) and the very dry, methodical ones that were more talk than action (mostly John Le Carre and Alistair MacLean adaptations). Segal plays Quiller with a laconic but likeable detachment, underlining the loneliness and lack of relaxation of the agent, who can- not even count on support from his own side. He finds that a bomb has been strapped underneath and sets it on the bonnet of the car so it will slowly slide and fall off due to vibration from the running engine. The Berlin Memorandum, or The Quiller Memorandum as it is also known, is the first book in the twenty book Quiller series, written by Elleston Trevor under the pen name of Adam Hall. The film is a spy-thriller set in 1960s West Berlin, where agent Quiller is sent to investigate a neo-Nazi organisation. Quiller enters the mansion and is confronted by Phoenix thugs. 15 years after the end of WW II. In the relationship between Quiller and Inge, Pinter casts just enough ambiguity over the proceedings to allow us plebian moviegoers our small participatory role in the production of meaning. Summaries In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. Hes lone wolf who lives or dies by his own actions a very clean and principled approach to espionage. Dril several holes in it, the size of a pin, one the size of a small coin. He brings graceful authority and steely determination to his role. The original, primary mission has been completely omitted. I recently found and purchased all 19 of the series in hardback and read them serially. The protagonist, Quiller, is not a superhuman, like the James Bond types, nor does he have a satchel full of fancy electronic tricks up his sleeve. It's hard to believe this book won the Edgar for Best Novel, against books by Mary Stewart, Len Deighton, Ross MacDonald, Dorothy Salisbury Davis, and H.R.F. On paper, this film had all the makings of a potential masterpiece: youve got a marquee cast, headed up by George Segal, Max Von Sydow, and Alec Guinness, for starters. Watchlist. Quiller asks after Jones at the bowling alley without success and the swimming pool manager Hassler tells him spectating is not allowed. All of that, and today the novels are largely forgotten. Hall's truncated writing style contributes to this effect. He does this in a lone-wolf way, refusing to be hampered by bodyguards. It's a more realistic or credible portrayal of how a single character copes with trying to get information in a dangerous environment. Fans of realistic spy fiction will enjoy David McCloskeys debut thriller Damascus Station, newly available in paperback in the UK. In 1965, writing under the pseudonym of Adam Hall, Elleston Trevor published athriller which, like Ian Flemings Casino Royale before it, was to herald a change in the world of spy thrillers. The Wall Street Journal said it was one of the best espionage/spy series of all time. When Quiller passes out at a traffic stop, the other car pulls alongside and abducts him. The Phoenix group descend and take Quiller, torturing him to find out what he knows. My take was, he knows she's one of the bad guys, and same with the headmistress who he passes on the way out. As Quiller revolves around a plot that's more monstrously twisted than he imagines it to be . Inge tells him she loves him, and he tells her a phone number to call if he is not back in 20 minutes. Quiller befriends a teacher, Inge Lindt, whose predecessor at the school had been arrested for being a Neo-Nazi. Updates? The sentences are generally clipped and abrupt, reminiscent of Simon Kernicks style wherenot a word is wasted, but predating him by a generation. Instead, the screenplay posits a more sinister threat: the nascent re-Nazification of German youths, facilitated by an underground coven of Nazi sympathizing grade-school teachers. The Neo-Nazis want to know the location of British operations and similarly, the British want to know the location of the Neo-Nazis' headquarters. So, at this level. He contacts the teacher Inge Lindt (Senta Berger) expecting to get some clues to be followed and soon he is abducted the the leader Oktober (Max von Sydow) and his men. With George Segal, Alec Guinness, Max von Sydow, Senta Berger. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); 2021 Crime Fiction Lover. The third to try is Quiller, an unassuming man, who knows he's being put into a deadly game. Oktober reveals they are moving base the next day and that they have captured Inge. The nation remained the home of the best spies. Sadly, Von Sydows formidable acting chops are never seriously challenged here, and his lines are limited to fairly standard B-movie Euro-villain speak. Its excellent entertainment. Read our extensive list of rules for more information on other types of posts like fan-art and self-promotion, or message the moderators if you have any questions. How nice to see you again! and so forth. Senta Berger was gorgeous! Another isQuillers refusal to carry a weapon hebelieves it lends the operative an over-confidence and cangive the opposition an opportunity to turn your firearm against you. Von Sydow (one of the few actors to have recovered from playing Jesus Christ and gone on to a varied and lengthy career) is excellent. The characters and dialog are well-written and most roles are nicely acted. The Quiller Memorandum's strengths and charms are perhaps a bit too subtle for a spy thriller, but those who like their espionage movies served up with a sheen of intelligence rather than gloss or mockery will embrace Quiller.Still, there's no denying that that intelligence doesn't go as deep as it thinks it does, which can be frustrating. Create an account to follow your favorite communities and start taking part in conversations. They both go to the building, whereupon they are captured. He also works alone and without contacts. 1966. A bit too sardonic at times, I think his character wanted to be elsewhere, clashing with KGB agents instead of ferreting out neo-nazis. They write new content and verify and edit content received from contributors. It was interesting to me that in 1965 (when I also happened to be living in Germany as a US Army dependent) the crux of the book was the fear of a Nazi resurgence -- and I'm not talking about skinheads, but Nazis deep within the German government and military. The only redeeming features of The Quiller Memorandum are the scenes of Berlin with its old U-Bahn train and wonderful Mercedes automobiles, and the presence of two beautiful German women, Senta Berger and Edith Schneider; those two females epitomize Teutonic womanhood for me. The cast is full of familiar faces: Alec Guinness, who doesn't have much of a role, George Sanders, who has even less of one, Max von Sydow in what was to become a very familiar part for him, Robert Helpmann, Robert Flemyng, and the beautiful, enigmatic Senta Berger. Segal is an unusual actor to be cast as a spy, but his quirky approach and his talent for repartee do assist him in retaining interest (even if its at the expense of the character as originally conceived in the source novels.) "The Quiller Memorandum" is a film with a HUGE strike against it at the outset.they inexplicably cast George Segal as a British spy! After two British agents are assassinated in Berlin by a group of Neo-Nazis, the British Secret Service assign Quiller to locate and identify the culprits. It was time for kitchen-sink alternatives to the Bond films upper-crust Empire nostalgia, channeled as it was through a tuxedoed, priapic Anglo toff committing state-sponsored murder in service of Her Majestys postcolonial grudges. The movie wants to be more Le Carre than Fleming (the nods to the latter fall flat with a couple of fairly underpowered car-chases and a very unconvincing fight scene when Segal first tries to escape his captors) but fails to make up in suspense what it obviously lacks in thrills. This well-drawn tale of espionage is set in West Berlin, 15 years after the end of WW II. Meanwhile , Quiller befriends and fall in love for a teacher , Inge Lindt (Senta Berger) , and both of whom suffer constant dangers . In terms of style The Quiller books aretaut and written with narrative pace at the forefront. The Quiller Memorandum came near the peak of the craze for spy movies in the Sixties, but its dry, oddly sardonic tone sets it apart from both the James Bond-type sex-and-gadget thrillers and the more somber, "adult" spy dramas such as Martin Ritt's The Spy Who Came In from the Cold (1965). He is the true faceless spy. His investigations (and baiting) lead him to a pretty schoolteacher (Berger) who he immediately takes a liking to and who may be of assistance to him in his quest. From that point of view, the film should be seen by social, architectural, and urban landscape historians. The film illustrates the never-ending game of spying and the futility that results as each mission is only accomplished in its own realm, but the big picture goes on and on with little or no resolution. After the interview, he gives her a ride to her flat and stops in for a drink. Finally, he is placed in the no-win position of either choosing to aid von Sydow or allowing Berger to be murdered. He first meets with Pol, who explains that each side is trying to discover and annihilate the other's base. Can someone explain it to me? . Mind you, in 1966-67 the Wall was there, East German border guards and a definite (cold war) cloud hanging over the city. It out the quiller? This was the first book, and I liked it. In . In conclusion, having recently watched "Quiller's" almost exact contemporary "The Ipcress File", I have to say that I preferred the latter's more pointed narrative, down-home grittiness and star acting to the similar fare offered here. Quiller tells Inge that they got most, but clearly not all, of the neo-Nazis. In the following chapter the events have moved on beyond the crisis, instantly creating a how? question in your mind. Quiller is released. Omissions? Quiller is eventually kidnapped and tortured by Oktober (Max von Sydow), the leader of Phoenix. In the process, he discovers a complex and malevolent plot, more dangerous to the world than any crime committed during the war. That way theres no-one to betray him to the other side. It was from the quiller memorandum ending of the item, a failed nuclear weapons of Personalized Map Search. Despite an Oscar nomination for "Who's Afraid of Virginia Woolf?," Segal's strength lies in light comedy, and both his demeanor and physical build made him an unlikely pick for an action role, even if the film is short on action. This reactionary quake in the spy genre was brief but seismic all the same. The book and movie made a bit of a splash in the spy craze of the mid-sixties, when James Bond and The Man From Uncle were all the rage. A satisfyingly cynical spy thriller with George Segal, Alec Guinness and Max Von Sydow; and a script by Harold Pinter, Decent and interesting spy thriller with great cast and impressive musical score by John Barry in his usual style. The former was a bracingly pessimistic Cold War alternative to freewheeling Bondian optimism that featured burnout boozer actor Richard Burton in an all-too-convincing performance as burnout boozer spy Alec Leamus. This time he's a spy trying to get the location of a neo-Nazi organization. They wereso popularthat in 1966 a film was made the title waschanged to The Quiller Memorandum and from then on all future copies of the book were published under this title, rather than the original. Always under-appreciated by U.S. audiences, it's a relief to know that she's had a major impact on the German film community in later years. I thought the ending was Quller getting one last meeting with the nice babe and sending a warning to any remaining Nazis that they are being watched. This isn't your standard spy film with lots of gunplay, outrageous villains, and explosions. For my money, the top three cold war spy novelists were Le Carre, Deighton, and Adam Hall. The plot holes are many. In addition to Pinters screenplay, the film was noted for its plot twists and the portrayal of Quiller as refreshingly vulnerable and occasionally inept. And considering how terrible its one fight scene is, it's certainly a blessing that it doesn't have any more. , . One of the most interesting elements of the novel is Quiller's explanation of tradecraft and the way he narrates his way through receiving signals from his Control via coded stock market reports on the radio, and a seemingly endless string of people following him around Berlin as he goes about his mission. Hes that good try the book and youll find out. It looks like we don't have any synopsis for this title yet. These include another superior soundtrack by John Barry, if perhaps a little too much son-of "The Ipcress File", some fine real-life (West) Berlin exteriors, particularly of the Olympic Stadium with its evocation of 1936 and all that and Harold Pinter's typically rhythmic, if at times inscrutable screenplay. With its gritty, real-world depiction of contemporary international espionage, The Quiller Memorandum was one of the more notable anti-Bond films of the 1960s. But soon he finds that she has been kidnapped and Oktober gives a couple of hours to him to give the location of the site; otherwise Inge and him will be killed. Another characteristic of Halls style isthe ending of chapters with a cliff hanger. I know several spy fiction fans who rate Quiller highly; I'd read a couple and thought they were only OK, plus seen and enjoyed the film (which fans of the novel tend to dislike). Please refer to the appropriate style manual or other sources if you have any questions. This isachievedviaQuillers first person perspective. As usual for films which are difficult to pin down . The love interest between Quiller and Inge (Senta Berger) developed with no foundation. Nimble, sharp-toothed and sometimes they have to bite and claw their way out of a dark hole. The headmistress introduces him to a teacher who speaks English, Inge Lindt. 1966's The Quiller Memorandum is a low-key gem, a pared-down, existential spy caper that keeps the exoticism to a minimum. I'll give this horribly dated film a generous **1/2 rating anyway; hell, you don't see a cast as great as this one every day! Released at a time when the larger-than-life type of spy movie (the James Bond series) was in full swing and splashy, satirical ones (such as "Our Man Flynt" and "The Silencers") were about to take off, this is a quieter, more down-to-earth and realistic effort. THE SITE FOR DIE HARD CRIME & THRILLER FANS. The premise isn't far-fetched, but the details are. The Berlin Memorandum, renamed The Quiller Memorandum, was published in 1965 by Elleston Trevor, who used the pseudonym Adam Hall. The British Secret Service sends agent Quiller to investigate. If you have seen this movie, and it leaves you very dissatisfied or with a bunch of bright orange question marks, don't worry ! In fact, he is derisory about agents who insist on being armed. Directed by Michael Anderson; produced by Ivan Stockwell; screenplay by Harold Pinter; cinematography by Erwin Hiller; edited by Frederick Wilson; art direction by Maurice Carter; music by John Barry; starring George Segal, Max Von Sydow, Alec Guinness, Senta Berger, and guest stars George Stevens and Robert Helpmann. The Quiller Memorandum is a film adaptation of the 1965 spy novel The Berlin Memorandum, by Trevor Dudley-Smith, screenplay by Harold Pinter, directed by Michael Anderson, featuring George Segal, Max von Sydow, Senta Berger and Alec Guinness.The film was shot on location in West Berlin and in Pinewood Studios, England.The film was nominated for 3 BAFTA Awards, while Pinter was nominated for an . Visually, the film was rather stunning, but the magical soft focus that appears every time Inga is in the frame is silly. Author/co-author of numerous books about the cinema and is regarded as one of the foremost James Bond scholars. I read a few of these many years ago when they first came out. Hengel gives Quiller the few items found on Jones: a bowling alley ticket, a swimming pool ticket and a newspaper article about a Nazi war criminal found teaching at a school. You are a secret agent working for the British in Berlin. Our hero delivers a running dialogue with his own unconscious mind, assessing the threats, his potential responses, his plans. He calls Inge and arranges to meet. aka: The Quiller Memorandum the first in a series of 19 Quiller books. The novel was titledThe Berlin Memorandum and at its centre was the protagonist and faceless spy, Quiller. Quilleris a code name. Quiller, a British agent who works without gun, cover or contacts, takes on a neo-Nazi underground organization and its war criminal leader. Don't bother watching it, except to see the many scenes shot on location in West Berlin at that time, with its deserted streets and subdued mood. The film magnificently utilizes West German locations to bring the story to life. It was nominated for three BAFTA Awards,[2] while Pinter was nominated for an Edgar Award for the script. He sounded about as British as Leo Carillo or Cher. An American secret agent called Quiller (George Segal) working for MI6 (whose chief is George Sanders) travels to Berlin to uncover a deadly Neo-Nazi band . His job is to locate their headquarters. But admittedly its a tricky business second-guessing his dramatic instincts here. But the writing was sloppy and there was a wholly superfluous section on decoding a cipher, which wasn't even believable. It's a bit strange to see such exquisitely Pinter-esque dialogue (the laconic, seemingly innocuous sentences; the profound silences; the syntax that isn't quite how real people actually talk) in a spy movie, but it really works. Their aim is to bring back the Third Reich. Each reveal, in turn, provides a separate level of truth--or, as it may be, self-deception. He spends as much time and energy attempting to lose the bouncer-like minders sent to cover him in the field as he does the neo-Nazi goon squads that eventually come calling. The book is more focused on thinking as a spy and I found it to be very realistic. Thanks in advance. After their first two operatives leading the field mission are assassinated in subsequent order, the British Secret Service recruit Quiller, an American agent, to continue to lead that field operation, namely to discover the base of operations of a new Nazi organization in West Berlin, they whose general members hide in plain sight in blending in with all walks of West German society. The Mysterious Case of the Alperton Angels by Janice Hallett, Norwegian crime show Witch Hunt comes to Walter Presents, The Wall: Quebec crime show comes to More4, Irish crime drama North Sea Connection comes to BBC Four, The complete guide to Mick Herrons Slough House series. Fairly interesting spy movie, but doesn't make much sense under close scrutiny. In this first book in the QUILLER series, undercover agent Quiller is asked to take the place of a fellow spy who has recently been murdered in Berlin, in identifying the headquarters of an underground but powerful Nazi organization, Phnix, twenty years . Director Michael Anderson Writers Trevor Dudley Smith (based on the novel by) Harold Pinter (screenplay) Stars George Segal Alec Guinness Max von Sydow See production, box office & company info Conveniently for Quiller, shes also the only teacher there whos single and looks like a Bond girl. The scene shot in the gallery of London's Reform Club is particularly odious. "[4], The review aggregator website Rotten Tomatoes reports that 67% of critics have given the film a positive rating, based on 12 reviews, with an average score of 7.4/10. Harold Pinter's fairly literate screenplay features . It relies. In West Berlin, George Segal's Quiller struggles through a near- existential battle with Neo-Nazi swine more soulless than his own cold-fish handlers. When drug-induced questioning fails to produce results, Segal is booted to the river, but he isn't quite ready to give in yet. It's not often that one wishes so much for a main character to get killed, especially by NAZI's. The only really interesting thing is the way we're left spoiler: click to read in the end. But Quiller gets closer to the action when he visits a supposedly progressive West Berlin middle school on a tip about an alleged Nazi war criminal who once taught there. Alec Guinness is excellent as a spy chief, and he gives a faint whiff of verisimilitude to this hopeless film. Oktober informs Quiller that if he does not disclose secret information this time, both he and Inge will be killed. The goal of /r/Movies is to provide an inclusive place for discussions and news about films with major releases. First isthe protagonist himself. The book itself sets a standard for the psychological spy thriller as an agent (code-named Quiller) plays a suspense-filled cat-and-mouse game with the head of a neo-Nazi group in post-war Berlin. As for the rest of the movie, the plot, acting, and dialog are absolutely atrocious; even the footsteps are dubbed - click, click, click. Michael Sandlin is a writer and academic based in Houston, Texas. And although Harold Pinters screenwriting for Quiller doesnt strike one as being classically Pinteresque, occasionally his distinct style reveals itself in pockets of suggestive menace where silence is often just as important as whats spoken. A spy thriller for chess players. The setting is as classic as the comeBerlin during the 1960s. She states that she "was lucky, they let me go" and claims she then called the phone number but it did not work. While most realistic spy films of the 60s focused on the Soviet threat, Quiller pits the title character against a group of neo-Nazis. Quiller has a love affair with Inge and they seek out the location of Oktober. Press J to jump to the feed. There are long stretches of what may have seemed to Pinter like very lively and amusing dialogue (the torture scenes between October and George Segal), but they drag on interminably, and make one want to go to sleep. When they find, Quiller gives the phone number of his base to Inge and investigates the place. He also has to endure some narcotically enhanced interrogation, which is the basis of one of the novel's most thrilling chapters. Where to Watch. They are not just sympathisers though. His book. Variety wrote that "it relies on a straight narrative storyline, simple but holding, literate dialog and well-drawn characters". George Segal provides us with a lead character who is somewhat quirky in his demeanor, yet nonetheless effective in his role as an agent. An American agent is sent to Berlin to track down the leaders of a neo-Nazi organization, but when they . Although competing against a whole slew of other titles in the spies-on-every-corner vein, the novel, "The Quiller Memorandum" was amazingly successful in book stores. Very eerie film score, I believe John Barry did it but, I'm not sure. Kindle Edition. This is one of the worst thriller screenplays in cinema history. closing theme, This page was last edited on 26 January 2023, at 11:13. He steals a taxi, evades a pursuing vehicle and books himself into a squalid hotel. But how could she put up with the love scenes with the atrocious Segal? Press question mark to learn the rest of the keyboard shortcuts. This demonstration using familiar breakfast food items serves to stimulate the American spys brainwaves into serious operative mode. Fans of "Willy Wonka and the Chocolate Factory" will notice that film's Mr. Slugworth (Meisner) in a small role as the operator of a swim club (which features some memorably husky, "master race" swimmers emerging from the pool.) At the 1967 BAFTA Awards the film had nominations in the best Art Direction, Film Editing and Screenplay categories, but did not win. When Quiller returns to his hotel, a porter bumps Quiller's leg with a suitcase on the steps. See for instance DANDY IN ASPIC too, sooo complex and fascinating in the same time. The intense first person narration which is the defining characteristic of the Quiller books comes into its own during this interrogation scene, and also during the latter chapters of the books as events begin to come to a head. The casting of George Segal in the lead was a catastrophe, as he is so brash and annoying that one wants to scream. He quickly becomes involved with numerous people of suspicious motives and backgrounds, including Inge (Senta Berger), a teacher at a school where a former Nazi war criminal committed suicide. Other viewers have said it all: it is a good movie and more interestingly it is a different kind of spy movie. Alec Guinness never misses a trick in his few scenes as the cold, witty fish in charge of Berlin sector investigations. 1 hr 45 mins. Want to Read. It keeps the reader engrossed right up to the last couple of lines. When a spy film is made in the James Bond vein then close analysis is superfluous, but when the movie has a pretense of seriousness then it'd better make sense. Cue the imposing Max Von Sydow as Nazi head honcho Oktober, whose Swedish accent is inflected with an Elmer Fudd-like speech impedimentthus achieving something like a serviceable German accent. 1 jamietre 8 mo. The Quiller Memorandum, British-American spy film, released in 1966, that was especially noted for the deliberately paced but engrossing script by playwright Harold Pinter. But don't let it fool you for one minutenor Mr. Segal, nor Senta Berger as the girl.

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